- Mailing List
Phantomime Out Now
Jesus He Knows Me
Phantom Of The Opera
Impera Out Now
Shop more music here
Get Email Updates
Join our mailing list to get the latest news, tour updates, releases and more. You'll be the first to know.
- Discount Codes
Ghost announce UK and European tour for 2022
Tickets go on sale this Friday (November 26)
Ghost have announced a UK and European headline tour for 2022 – find all the details below.
- READ MORE: Ghost fight the dystopia at Wembley with the pure power of theatrical rock
The Swedish metal band recently returned with their first new track in two years, ‘Hunter’s Moon’ , having confirmed in 2020 that they’d begun work on a new album – the follow-up to 2018’s ‘Prequelle’ .
With the group set to embark on a North American tour early next year, Papa Emeritus IV and co. have now confirmed that they’ll make a UK comeback in April for a string of arena shows.
Ghost will perform at the AO Arena in Manchester on April 9, with gigs following at London’s O2 Arena (April 11), Glasgow’s OVO Hydro (13) and Birmingham’s Resorts World Arena (15).
Uncle Acid & The Deadbeats and Twin Temple will support the band at the upcoming concerts. Tickets go on general sale this Friday (November 26) at 9am GMT – purchase yours from here .
APRIL 2022 9 – AO Arena, Manchester 11– The O2 Arena, London 13 – OVO Hydro, Glasgow 15 – Resorts World Arena, Birmingham
Ghost will then play in Rotterdam (April 17), Paris (18), Prague (24), Oslo (30), Brussels (May 3), Madrid (8), Vienna (11) and other European cities before wrapping up the tour in Budapest on May 18, 2022. See the full schedule here .
Arriving last month, ‘Hunter’s Moon’ was recorded by Ghost for the Halloween sequel Halloween Kills .
Speaking previously about the band’s upcoming fifth LP, Tobias Forge explained that Ghost “won’t release an album until we know that we are actually going on tour”, adding: “The album release will coincide with the start of a tour.”
He continued: “The actual recording will last around six weeks and then there’s two to three weeks of mixing and mastering. So sometime in March the record should be finished, but it won’t be released until after the summer.”
Earlier this year, Ghost covered Metallica ‘s classic single ‘Enter Sandman’ for ‘The Metallica Blacklist’ .
- Related Topics
You May Also Like
Liam gallagher & john squire: manchester icons collide on ‘just another rainbow’, the most anticipated album releases of 2024, boom leeds: why the uk hardcore scene is fighting to save a vital grassroots venue, 20 unmissable movies coming out in 2024, riot games on heartsteel: “the baekhyun and ezreal collaboration was a dream”, more stories, 9 incredible upcoming k-dramas to watch in january 2024, listen to liam gallagher and john squire’s huge collaborative single, ‘just another rainbow’, today’s wordle answer and hints for #930 on january 5, the last dinner party crowned bbc sound of 2024 winners, ‘connections’ answers and hints for today, january 5.
Ghost announce April 2022 UK arena tour
Seen Papa Emeritus IV and co. at four UK venues
Enigmatic Swedish metallers Ghost have announced a four-date UK arena tour for April 2022.
Ghost’s sprawling European arena tour – dubbed ‘Imperatour – Europe 2022’ – opens at Manchester AO Arena on Saturday 9th April 2022 before calling in at London The O2 Arena (Mon 11th April), Glasgow The SSE Hydro (Wed 13th April) and Birmingham RWA Arena (Fri 15th April).
Following the UK leg, Papa Emeritus IV and co. then hit mainland Europe for 19 further dates throughout April and May.
Support on all shows comes from Uncle Acid & The Dead Beats and Twin Temple.
Ghost UK arena tour tickets:
Tickets to Ghost’s UK arena tour go on sale from Planet Rock Tickets at 9am on Friday 26th November 2021.
Ghost last played the UK in November 2019 as part of their five-date A Pale Tour Named Death tour. The two-year trek opened with a show at London’s Royal Albert Hall in September 2018 and also included support slots with Metallica on their stadium tour.
Earlier this autumn, Ghost unveiled their first new song in two years, ‘Hunter’s Moon.’
Produced by Klas Åhlund and mixed by Andy Wallace, ‘Hunter’s Moon’ is lifted from the soundtrack to the Halloween sequel, Halloween Kills, which hits UK cinemas in October. The song came with a suitable macabre video:
‘Hunter’s Moon’ will get a single release on vinyl on 21st January featuring a B‑side by legendary composer John Carpenter.
In September, Ghost premiered their cover of Metallica’s ‘Enter Sandman’ from the charity covers album ‘The Metallica Blacklist.’
Ghost’s April UK tour dates:
Manchester AO Arena – Sat 9th
London The O2 Arena – Mon 11th
Glasgow The SSE Hydro – Wed 13th
Birmingham RWA Arena – Fri 15th
Buy Ghost tickets
Rock stars unmasked, including ghost:, slipknot’s shawn ‘clown’ crahan unmasked.
Slipknot percussionist #6 Shawn Crahan unveiled his new silver clown mask to the world when the Iowan masked metallers premiered fearsome single 'Unsainted' in May 2019. Outside of the day job banging things with Slipknot, the unmasked Shawn Crahan is an acclaimed film director and photographer.
Slipknot’s Mick Thomson unmasked
Slipknot guitarist #7 Mick Thomson's metallic hockey mask is so perfectly formidable it has remained relatively unchanged for years. On the right is an Mick Thomson without his mask traversing the streets of New York in 2019 ahead of Slipknot's appearance on Jimmy Kimmel Live.
The highly enigmatic guitarist, who wears a KFC bucket on his head, revealed his real identity on self-released 2013 album 'Pike 13'. It poignantly depicts a younger Buckethead – real name Brian Carroll – without his mask on and hugging his late dad.
Slipknot’s Jay Weinberg unmasked
Slipknot drummer Jay Weinberg and his proper horrorshow burlap mask. On the right is the devilishly handsome Jay Weinberg without his mask. Weinberg joined Slipknot in 2014 replacing the departing Joey Jordison, who sadly passed away in 2021.
Slipknot’s Sid Wilson unmasked
Slipknot turntablist #0 Sid Wilson's mask dramatically changed in 2019 from his more traditional skull and gas masks to an almost Palpatine -esque deformed human mask with black robes. On the right is Sid Wilson without his mask at the premiere of Slipknot: Day Of The Gusano in Beverly Hills.
Limp Bizkit’s Wes Borland unmasked and without makeup
Chameleon-like Limp Bizkit guitarist Wes Borland is constantly coming up with brilliant new looks for the band's live shows. Fusing a mask with crudely painted make-up, this brilliantly disturbing guise is like a cross between Salvador Dali, The Joker and a demented aristocrat. Here is Wes Borland without his mask and makeup at a photoshoot in 2017.
Slipknot’s Corey Taylor unmasked
Slipknot singer #8 Corey Taylor's guise evolved into a sinister translucent mask in 2019. As the frontman of Stone Sour - and arguably the most famous member of Slipknot to boot - unless you've been living under a rock for the past two decades, you'll be well aware of what Corey Taylor looks like without his mask.
Ghost’s Tobias Forge (aka Papa Emeritus) unmasked
Flanked by his band of Nameless Ghouls, Tobias Forge has adopted a number of papal guises over the years; from the various incarnations of Papa Emeritus through to Cardinal Copia and Papa Emeritus IV. On the right is Tobias Forge without his mask at the Grammy Awards in 2019.
GWAR’s Blothar unmasked
Following the untimely death of singer Oderus Urungus (aka Dave Brockie) in 2014, GWAR recruited Blothar - aka Michael Bishop – as their new frontman who comes complete with a pigface goblin guise. On the right is Blothar without his mask and outlandish costume speaking at a TED Talk in 2015.
Slipknot’s Alessandro Venturella unmasked
Slipknot bassist Alessandro "Alex" Venturella's mask changed from a hessian fabric mask into patterned copper mask in 2019. The genial-looking chap on the right is Alessandro Venturella without his mask.
KISS’s Paul Stanley unmasked and without makeup
Alongside Gene Simmons, Paul Stanley has been a member of KISS since their inception in 1973 and his alter ego The Starchild has remained a constant all this time.
Slipknot’s Jim Root unmasked
Slipknot guitarist #4 Jim Root has worn a Jester mask for the entirety of his career with only minor changes in its design. Why change perfection?! Jim Root is immediately identifiable even without his mask thanks to his luscious, voluminous beard.
Behemoth’s Nergal unmasked and without makeup
One of the standout Main Stage acts at Download Festival 2019, Polish blackened death metallers Behemoth – led by the fearsome lead vocalist Nergal – have always adorned striking make-up on stage creating an enigmatic aura. On the right is Adam Nergal Darski without makeup at an album signing session.
Ex-Slipknot percussionist Chris Fehn unmasked
Before he exited Slipknot in somewhat acrimonious circumstances in April 2019, #3 Chris Fehn wore a distinctive Liar Mask – aka the Pinocchio Mask. On the right is the Chris Fehn without his mask at the premiere of Shawn Clown Crahan's movie 'Officer Downe' in 2016.
KISS’s Gene Simmons unmasked and without makeup
On stage and wearing his trademark makeup, Gene Simmons adopts The Demon persona.
KISS’s Eric Singer unmasked and without makeup
Following the death of the late-great Eric Carr in 1991, new drummer Eric Singer didn't adopt his The Fox persona; instead he resurrected original drummer Peter Criss' The Catman guise.
KISS’s Tommy Thayer unmasked and without makeup
Joining KISS permanently in 2002, Tommy Thayer jumped straight into Ace Frehley's platform heels and took on his The Spaceman makeup design.
Ghost Nameless Ghoul unmasked
In March 2017, a Swedish musician called Martin Persner shared a video claiming he was formerly a Nameless Ghoul in Ghost called Omega. He left the band in July 2016 after a seven-year stint.
Listen to Planet Rock on DAB nationwide, on our free app, online, via your smart speaker (“Play Planet Rock”) and on Freesat.
- Australia edition
- International edition
- Europe edition
Ghost review – satanic Barry Manilow leads magnificent metal pantomime
Motorpoint Arena, Cardiff The flamboyant Swedish band fuse rock bombast with pop classicism on their most ambitious tour to date
‘W elcome to tonight’s spectacle,” murmurs the fiendish figure in the spotlight, his latex face rigid as the audience roars. And it is quite a spectacle, replete with pyrotechnics, costume changes, crowd participation and confetti. Swedish metal outfit Ghost have arrived in the big league with a bang.
The man in the mask is the band’s leader Tobias Forge, taking to the stage here as Cardinal Copia, a sort of satanic Barry Manilow who serves as the latest in a string of creative personas. He’s flanked by a slick band who perform under horned silver helmets and go by the collective sobriquet Nameless Ghouls. It’s all terribly silly, and tremendous fun.
This tour is Ghost’s most ambitious to date, but they wear the bubbling pre-curtain excitement well. Their recent album, Prequelle, was a Top 10 hit on both sides of the Atlantic and in the years since their emergence as an occult metal oddity with a flamboyant streak, Forge has fine-tuned his writing to combine rock bombast with a winning line in pop classicism.
Beginning with the thunderous Rats, he plots a course through a set brimming with outlandish camp and pantomime theatre. The music does the heavy lifting to offset some hackneyed stagecraft: if call and response isn’t your thing then the tiered psych-pop harmonies of Mary on a Cross or the monstrous Cirice, 70% doomy riff-fest, 30% Total Eclipse of the Heart, offer more intriguing fare.
By the time the disco-derived stomp of Dance Macabre has reduced the crowd to a giddy mess of hugs and awkward shape-throwing, Ghost have successfully retrofitted their schlocky origins with a thrilling sense of scope and ambition. The closer, Square Hammer, is fitting. It keeps Forge’s obsession with melody close to its heart, but it’s also the sort of head-banging imperative that satisfies the old guard.
Ghost’s arena show is loud, self-aware and studded with outstanding songs. Pop and metal have long found common ground in a shared love of over-the-top pageantry, and there are few better at delivering that than Forge and his anonymous crew. “Are you with us?” he yells. The answer from the floor is a resounding yes.
- Pop and rock
- Latest News
Carpenters Singles 1969-1973: Greatest Hits Don’t Come Much Greater
How ‘bayou country’ put creedence clearwater revival on the map, count basie proved he still had the swing with ‘april in paris’, ‘ella fitzgerald sings the george and ira gershwin song book’: a classic album, ‘i‘m a woman’: peggy lee spells ‘w-o-m-a-n’ on vintage capitol single, ‘music is akin to the spirit of man’: sam phillips on his life in music, ‘aerosmith’: the legendary band’s self-titled debut still sounds great, yungblud, the offspring confirmed to headline rock for people 2024, sleater-kinney share blistering new single ‘untidy creature’, cheap trick set to headline 2024 ‘beatles on the beach’ classic rock festival, sophie ellis-bextor’s ‘murder on the dancefloor’ enjoys resurgence in ‘saltburn’, les mccann, grammy-nominated jazz pianist and singer, dies aged 88, taylor swift breaks elvis’ record for most weeks at no.1, lewis capaldi announces extended version of ‘broken by desire to be heavenly sent’, ghost announce ‘imperatour’ uk, european tour for 2022.
The Swedish metal stars’ dates kick off on April 9 in Manchester, UK, and conclude on May 18 in Budapest, Hungary.
Ghost will embark on a massive European headlining tour in April 2022. The band’s ‘Imperatour’ will kick off on April 9 in Manchester, U.K. and conclude on May 18 in Budapest, Hungary. Support on all shows will come from Uncle Acid And The Deadbeats and Twin Temple.
In September, Ghost released a new single titled “Hunter’s Moon” which is featured in the latest blockbuster installment of the legendary film franchise Halloween Kills . The Halloween Kills soundtrack arrived on October 15 via Sacred Bones, with the film hitting theaters the same day.
Produced by Klas Åhlund and mixed by Andy Wallace, Ghost’s “Hunter’s Moon” plays as the Halloween Kills end credits roll, and will be released January 21, 2022 as a collectible seven-inch single by Loma Vista Recordings. “Hunter’s Moon” can be streamed, purchased, and/or pre-ordered in its vinyl incarnation. The retail version of the seven-inch will feature the special B-side “Halloween Kills (Main Title)”, performed, produced and engineered by John Carpenter, Cody Carpenter and Daniel Davies.
Queensrÿche Book ‘Roads To Madness’ Set For March Release
‘sending that shiver down their backs’: a toast to motörhead’s lemmy, ‘not the actual events’: documenting nine inch nails’ brooding synth-rock.
“Hunter’s Moon” features Opeth’s Fredrik Åkesson on guitar and The Soundtrack Of Our Lives founder Martin Hederos on the piano. Producer Max Grahn and “A Ghoul Writer” are listed as the song’s composers and lyricists. The official music video for the infectious first new track from Ghost since 2019’s “Seven Inches Of Satanic Panic” was directed by Amanda Demme.
Also two months ago, Ghost announced a 26-date co-headlining U.S. arena tour with Volbeat and special guests Twin Temple , coming to cities including Seattle, Denver, Chicago, Houston, and Phoenix.
Buy or stream Ghost’s “Hunter’s Moon” .
Ghost’s ‘Imperatour’ 2022 European dates are as follows:
Apr. 09 – Manchester, Arena, UK Apr. 11 – London, O2 Arena, UK Apr. 13 – Glasgow, Hydro, UK Apr. 15 – Birmingham, RWA Arena, UK Apr. 17 – Rotterdam, RTM Stage Ahoy, Netherlands Apr. 18 – Paris, Accor Arena, France Apr. 19 – Cologne, Lanxess Arena, Germany Apr. 21 – Leipzig Quarterback Immobillen Arena, Germany Apr. 22 – Frankfurt, Festhalle, Germany Apr. 24 – Prague, Arena, Czech Republic Apr. 27 – Tampere, Nokia Arena, Finland Apr. 29 – Stockhom, Avicii Arena, Sweden Apr. 30 – Oslo, Spektrum, Norway May 01 – Malmo, Malmo Arena, Sweden May 03 – Brussels, Forest, Belgium May 05 – Milan, Mediolanum Forum, Italy May 07 – Barcelona, Olympic Arena Badalona, Spain May 08 – Madrid, Vistalegre Arena, Spain May 11 – Vienna, Stadthalle, Austria May 13 – Zurich, Hallenstadion, Switzerland May 15 – Hannover ZAG Arena, Germany May 16 – Munich, Olympiahalle, Germany May 18 – Budapest, Arena, Hungary
Your email address will not be published. Required fields are marked *
Save my name, email, and website in this browser for the next time I comment.
Ghost announce 2022 UK arena shows
Ghost announce Imperatour 2022, with support from Uncle Acid And The Deadbeats and Twin Temple.
As well as hitting the U.S. next year for a co-headline run with Volbeat , Ghost have announced their own Imperatour.
With support from Uncle Acid And The Deadbeats and Twin Temple , the Swedish titans will be returning to the UK for four huge arena shows next April, stopping off in Manchester, London, Glasgow, and Birmingham.
The tour will also travel through Europe; following on from their UK dates, the Euro leg will begin on April 17 in Rotterdam, and finish up just over a month later in Budapest.
Read this: The 20 greatest Ghost songs – ranked
The news of Ghost's live dates follows the release of their first new music in two years, Hunter's Moon , at the end of September. And while that was for the recent Halloween Kills movie (so likely not a new album?!), the band did also unveil a brand-new Papa, so fingers crossed the follow-up to 2018's Prequelle is on the way…
Ghost's full UK and European Imperatour at the following:
9 Manchester Arena 11 London O2 Arena 13 Glasgow Hydro 15 Birmingham RWA Arena 17 Rotterdam RTM Stage Ahoy 18 Paris Accor Arena 19 Cologne Lanxess Arena 21 Leipzig Quarterback Immobillen Arena 22 Frankfurt Festhalle 24 Prague Arena 27 Tampere Nokia Arena 29 Stockhom Avicii Arena 30 Oslo Spektrum
1 Malmo Arena 3 Brussels Forest 5 Milan Mediolanum Forum 7 Barcelona Olympic Arena Badalona 8 Madrid Vistalegre Arena 11 Vienna Stadthalle 13 Zurich Hallenstadion 15 Hannover ZAG Arena 16 Munich Olympiahalle 18 Budapest Arena
Read this: 10 indie albums that influenced heavy metal
Check out more:
Now read these.
Ghost have covered Stay for Insidious: The Red Door
Hear Ghost team up with Patrick Wilson for a cover of Shakespears Sister’s Stay, taken from the Insidious: The Red Door soundtrack…
Sleep Token on course for first-ever UK Top 10 album
Sleep Token’s Take Me Back To Eden has landed at Number Three in the UK midweek album charts…
Listen: Ghost have covered Iron Maiden’s Phantom Of The Opera
Taken from their soon-to-be-released covers EP PHANTOMIME, Ghost have just unveiled a spectacular cover of Phantom Of The Opera by Iron Maiden.
Ghost release Jesus He Knows Me from new five-song covers EP
Hear Ghost tackle Genesis’ Jesus He Knows Me, ahead of the release of their upcoming covers EP PHANTOMIME in May.
Tobias Forge says “there might be new music” for next Ghost tour
As Ghost gear up to return to the stage in a couple of months, Tobias Forge has teased that “between now and then, there might be new music”.
Ghost confirm huge 27-date Re-Imperatour with Amon Amarth
Ghost are taking their incredible show across America with Amon Amarth this August and September for the massive Re-Imperatour.
Listen to Ghost’s new version of Spillways featuring Def Leppard’s Joe Elliott
Def Leppard’s Joe Elliott provides guest vocals on Spillways, his favourite track from Ghost’s brilliant 2022 album Impera.
‘Jesus is coming’: Ghost are up to something
What are Ghost planning? They’ve just unveiled a new billboard in Hollywood that suggests that ‘Jesus is coming’…
The best of Kerrang! delivered straight to your inbox three times a week. What are you waiting for?
Ghost: The True Story of Death, Religion and Rock & Roll Behind Metal's Strangest Band
"I have a hard time explaining what could have been. I just know that I was put in a situation where I felt that it was the time to do this because I have no choice anyway."
Tobias Forge is talking about the fact that he's speaking with Revolver as Tobias Forge. He's sitting in the upstairs lounge at a Los Angeles photography studio. He's wearing jeans and a leather jacket. He's sipping coffee. In the past, this scene would look very different. Forge would only be wearing street clothes if he were being interviewed over the phone. If we were talking in person — as we are now — he'd be wearing the full facemask and tailored tunic of a "Nameless Ghoul," the interchangeable stage moniker he gives to all of the musicians who play with him in Sweden's Grammy-winning occult-rock act Ghost.
Forge doesn't even look like a dude who might be in a band, much less a band like Ghost. He's got short hair. He's clean-shaven. He's well manicured. He's exceedingly polite. He speaks with a Swedish accent and could easily pass for a grad student at UCLA, albeit a particularly pale one. You'd never know that he's secretly into Satan. You'd never know the truth.
As Ghost's vocalist, songwriter and all-around mastermind, Forge dreamed up a successive string of satanic popes — Papa Emeritus I, II and III — one for each of the band's first three albums. The characters appeared onstage in skull makeup and three-cornered papal mitre, singing odes to Lucifer and songs about zombie queens, about imaginary schoolgirls with psychic powers, and about very real Hungarian countesses who bathed in the blood of virgins. But Papa never gave interviews. For press purposes, Forge would pose as a Nameless Ghoul instead. And now, on Ghost's fourth and latest album, Prequelle , a "new" frontman has emerged: Cardinal Copia.
Confused yet? Well, that's because it's supposed to be confusing — or at least misleading. For the first seven years of the band's public existence, Forge did everything in his power to preserve his anonymity. Obfuscation, denial and misdirection were the orders of the day. He was — and is — the rarest of rock stars: Rather than craving the spotlight, he actively avoided it. "It goes against the idea of being a person onstage: wanting not to be seen," he observes. "And that proved to be more or less impossible. So that makes the story a little different because we weren't building our brand on the indulgence of sort of masturbating in the personal cult."
But now some former Nameless Ghouls have filed a lawsuit. They're suing Forge for money they say he owes them. Naturally, his real name appears in the legal documents. As a result, Forge's astonishing run of anonymity has come to a close. His hand has been forced. He's been outed. But the devil, as usual, is in the details. "Once the spotlight is cast on you, you can either step out of it and hope it won't follow you, or you have to speak," Forge acknowledges. "But you have to do something because people are watching. And I definitely know that I'm too far from the shore that I started off from to not realize the severity of the situation. I felt like if this is as good as I think it is and what I've made people believe — and what people in turn have made me believe that it is, it should stand for a little bit of remodeling."
The "it" he refers to is Ghost. And the remodeling is extensive, cosmetically speaking. As of last year, Forge has an entirely new cast of Nameless Ghouls. Papa Emeritus III, singer on 2015's Meliora and 2016's Popestar EP, is no more. Cardinal Copia is the new frontman. Of course, Forge is the Cardinal. And he still writes all of Ghost's songs. But while many fans have suspected this for some time, now they know . "If there is anyone who's sort of questioning the new stance, [ Ghost ] is still based on the same modus operandi," he says. "The only difference is, I've sort of mentioned my name."
In the spirit of full disclosure: I've known Tobias Forge since April of 2013. That was when my band, Ides of Gemini, was the support act on Ghost's second North American tour. In those days, very few people knew the true identities of the group's members. As part of the tour arrangement, my bandmates and I had to sign a contract agreeing not to take photos of any member of Ghost while they were out of costume.
Of course, the band's fans signed no such agreement. Which makes what I witnessed on that tour all the more fascinating. On most nights, fans would wait by Ghost's tour bus after the show to meet the band and shag autographs. Forge and his bandmates would stroll out of the venue in their regular clothes, fully acknowledging that they were the men behind the masks. They'd shake hands, sign records and chitchat. Not once did I see a fan reach for a phone or a camera to snap a photo. Not once in an entire month, in 22 cities across the U.S. and Canada. And yet the social media age was well underway. The general public did not hesitate to post close-ups of the soggy burrito they ate for lunch, much less photos of an encounter with a prominent musician. But the folks who came to those gigs had no desire to expose anyone. They didn't want to demystify the show they had just seen. They wanted to share the fantasy.
Forge has a theory about this phenomenon. While other groups that came up during the early days of social media relied on those platforms not only for promoting the band itself, but for promoting the members individually, Ghost short-circuited this process by not allowing the individual members to publicly acknowledge they were even in the group. "[ Usually ] you have a band and then you have four or five members who are posting photos of everything that they're doing, and that combined creates this public image of the band," he explains. "And since that was obviously an absolute no-no with Ghost — still is — and we were overcompensating with an image, people started focusing on the image [ instead ]. And I guess they were appreciating the fact that we were creating this forum in which they could, in a slightly old-school way, imagine things rather than having it sort of smeared in your face the way that you would if you were a fan of a sentence-for-a-name band where you know everything [ and ] there's no secrets whatsoever."
PAPA COMES ALIVE
Ghost was born in 2006, when Forge wrote a song called "Stand by Him." A chugging, melodic paean to Satan that fused the metallic guitars of Mercyful Fate with the sunny vocal harmonies of Blue Öyster Cult and high liturgical atmosphere, it was unlike anything he'd written in the past. He called his friend Gustaf Lindström to help him record it. The two had played together in the short-lived death-metal outfit Repugnant, which at one point included future members of In Solitude and Tribulation. "Stand by Him" would later appear with English lyrics on Ghost's 2010 debut, Opus Eponymous , but at this early stage its words were in Swedish. "It sounded great, but I didn't really know what it was," Forge recalls. "Occult rock is now obviously a very common term but at that point [ the song ] just felt oddly attractive. I told Gustaf, 'If I can write two more like this, we can definitely call it something and do something with it.'"
In early 2008, the duo hit the studio to record the first three Ghost songs: "Stand by Him," "Prime Mover" and "Death Knell." "I write everything on drums and bass [ as well as guitar ], so I'd already sort of figured the songs out," Forge explains. "We had a drum station, a bass station, a guitar station and a vocal station and just circled around. At the end of that weekend, we had three songs recorded."
Immediately obvious: The material's satanic lyrics and vintage horror-movie vibe were at odds with Forge's choirboy looks. "This definitely does not sound like two dudes that look like you and I," Forge remembers telling Lindström. "With my other projects, I was definitely missing that horror aspect. For me, this needs to be a theater band. And if we're gonna do a theater band, we should be anonymous. It was completely juxtaposed to normal rock showmanship, I guess. It was very clear to me that we cannot just get a band together and rehearse and then go out and play live. We needed to maybe get a whole record recorded and release something and then maybe we could play at Roadburn."
He already had the band name. "We gotta call this Ghost," Forge recalls. "That was more or less simultaneous to the recording."
There was a snag, though: Forge had no desire to be the singer. He wanted to play guitar. "Even when I was a kid, I always sort of identified myself with Keith Richards and Slash more than the singers of the bands," he says. "And even though I absolutely adore Mick Jagger in 1982, the way he looked and the way he performed, I wanted more to be the guitar player who was cool and smoked a cigarette without coughing. And so I was like, 'These are just demos with my vocals.' They were gonna be guide vocals."
Forge's first choice for the vocalist position was Messiah Marcolin, former singer for Swedish doom masters Candlemass. But Marcolin turned him down. Forge then approached Mats Levén, a veteran Swedish vocalist who did a brief stint in guitar wizard Yngwie Malmsteen's band and has since become the latest singer of Candlemass. But Levén passed, as well. So did Christer Göransson of Mindless Sinner, Eighties metal heroes from Forge's hometown of Linköping, Sweden. ("He said, 'I have my own band and this seems a little bit goofy,'" Forge recalls.) So did JB Christoffersson of Grand Magus. Forge became Ghost's singer by default.
At the time, Forge was in his late twenties. He was married, with twin infant daughters. He worked at a call center for a Swedish mobile phone company. Ghost was his sixth band. "You can regard my life and say that not a whole lot happened before that," he says. "I had two kids and a social life and [ getting married ] was a big step in life, but career-wise and [ in terms of ] fulfilling yourself and touring goals, it was definitely 29 years of what felt like non-activity."
Then he posted the Ghost demos on MySpace. "This page we had was all very, very clandestine," he recalls. "I think it said 'Ghost,' but from what I remember, it was a picture of a cathedral in the moonlight and it just said 'satanic doom' or something like that — very, very simple. I really tried to narrow down the demographics so it was people [ who ] were into bands that I sort of figured that we were, in one way or form, similar to. That was anything from Blue Öyster Cult to Pentagram to Saint Vitus and that whole doom scene — Candlemass, obviously — Angel Witch, Demon … You know, anybody that liked dark rock with some sort of melody in it."
Within two days of posting the tracks, Forge was being contacted by record labels and managers from around the globe. "We went from absolutely nothing, a complete unknown — maybe 10 people in the world knew about it before that — and 48 hours later the band was already being approached by all kinds of people," he enthuses. "My career trajectory changed more in those 24 to 48 hours than I had ever experienced in my life."
Ghost premiered on March 12th, 2010. That's when Forge posted the first songs online. It's also the day his brother Sebastian died. "I didn't know at the time, but he had a heart disease that was, there's an elegant word for it that I don't remember, but apparently there's a condition where your [ heart ] muscles basically stiffen up," he explains. "So unfortunately, he passed away literally on the day Ghost went public. That night, my whole life changed."
A PORTRAIT OF THE ARTIST AS A YOUNG SATANIST
Tobias Forge is standing in a church. He's six or seven years old. He's with his mom. She works in a gallery. She appreciates art. She wants her son to appreciate art, too. "She was always very keen on taking me to churches," he explains. "She might say now in older age that she's sort of borderline religious, but back then it was just treating churches like museums."
One particular church in Linköping stood out. It was built in the 1500s. It was Catholic. It was creepy. "It had that evil feel, with a lot of old, scary paintings and big stained-glass windows and all that stuff I've sort of carried forth with me," Forge says. "It felt like a magical place. On the other hand, I think it triggered a lot of the opposition that made me, in my adolescence, so unquestionably throw my hands into the hands of Satan."
Of course, there were other triggers, as well — namely a wicked stepmother and an ill-tempered schoolteacher. "I didn't see my stepmother very often, maybe every other weekend," Forge explains. "I understand now that I was the kid that [ my father ] had from a previous relationship and I was an irritation in their new family, but she just happened to be religious, as well. And she was very strict. And sometimes she sort of did that in the name of Christ, which did not paint me a very nice picture of Christian people."
The schoolteacher was even worse. Forge was in her classroom for the first and second grades. She was in her sixties, bordering on retirement, and she regarded the era of corporal punishment in schools as a lost golden age. "She was very sour, very strict, very mean," Forge laments. "Had it not been for the fact that it was illegal, she would have definitely hit us. She was a no-bullshit sort of woman, but completely without humor. There was no charm whatsoever. What I remember is that she imposed a lot of religion classes on us — more than I think was according to the curriculum. She just represented this sanctimonious authority that I hated. And that in combination with the alienation I felt every other weekend going to [ my stepmother's ] home that was also sort of infiltrated by religion definitely made me run headfirst into the arms of the devil."
Luckily, Forge's older brother, Sebastian, was there to provide some rock & roll rebellion. "When I was three or four, my brother gave me a few records that I guess he bought for himself," he explains. "A Siouxsie and the Banshees record, a Kim Wilde record, a Rainbow record and a Kiss record. That was Love Gun and I was like, 'Whoa!' And he just said, 'Uh, you can have it.' Technically it was just staying in my room, you know, so it wasn't going far. He was very cool."
Forge says his childhood revolved around his mother and brother. But Sebastian was 13 years older. When Sebastian moved out at age 19, Forge essentially became an only child. "I've always spent a lot of time in my imaginary world with records and films and in books and papers and magazines," he says. "And maybe it goes without saying, but there was very little censorship in our home. There was a little bit of a guiding hand or someone explaining the horror film I'd seen on TV. It was like an explanation of what we're seeing: 'It's fake. That's not real blood.' So from very early on I had a very deep fascination with cinema."
By now, it's 1987. Forge is just six years old. But the key components of Ghost are already starting to converge. Rock bands wearing makeup? Check. Horror flicks? Check. A fascination with Christian symbols and architecture? Check. An ever-increasing sense of religion as a control mechanism? Double check. But you can thank his big brother for making the final connection between rock music and Satan — with an assist from Nikki Sixx. "Sebastian also gave me Shout at the Devil by Mötley Crüe," Forge explains. "That was a record that actually scared me. I loved it, but I found it very, very terrifying — especially the intro. A little bit later, I also started liking the Rolling Stones a lot, and with their discography you had 'Sympathy for the Devil' and Their Satanic Majesties Request ."
Wide-eyed screenings of a few of the Eighties' most entertaining satanic-panic movies followed, as did trips to the sci-fi bookstore in Stockholm, where Forge purchased a copy of the dubious black-magic grimoire, Necronomicon . By fifth grade, he was drawing upside-down crosses on his notebooks like the card-carrying hesher he had become. But he traces most of it back to Sebastian, who provided him with the building blocks for Ghost at a ridiculously early age. "My brother had an immense impact on me," he concedes. "He had a massive music interest, he always rented films. He had a lot of friends who were also in bands and so there was a great influx of teenage culture in our house. When I was three, he was 16, so I was exposed to a lot of things that you might not normally be exposed to when you're three years old. He was very kind and very caretaking and, I guess because of the vast age difference, he didn't object to me being around."
When Sebastian passed away unexpectedly on the exact day Tobias posted the first Ghost songs online, Forge felt a distinct transference of energy. "Ever since then, it's hard not to feel that there might have been some sort of universal trade-off, like he was just giving me a big push in the back and it hasn't stopped since," he ventures. "To take one loss and then you accumulate the worth of that and sort of bake it into, like, a power bun. You remember in Back to the Future III when he has those logs of wood that he spiked with some sort of shit that makes the locomotive move faster? So far it feels like that's how I've been able to sort of redirect. It's like a mental aikido."
If there's a recurring theme on Ghost's new album, it's rats — of both the long-tailed rodent and human-garbage varieties. Prequelle songs like "See the Light" and, uh, "Rats" feature Forge singing about the toothy little fuckers that carried the Black Plague through Europe during medieval times. But he's also talking about the proverbial rats of the here and now: politicians with the power to kick off the apocalypse, nuclear or otherwise. "I think that there's a similarity between today and what went on in the 1340s and 1350s in the sense that it feels like our world is just about to end," he says. "On a brighter note, that has happened many times. It happens as we speak: I mean, if you ask someone who is from Aleppo, he or she will probably tell you that his or her world just disintegrated. So the end of the world happens every now and then in someplace. But between Donald Trump, Vladimir Putin, North Korea, ISIS, the world economy, China and all these things, there's an overall sort of feeling that we don't know what's gonna happen."
That uncertainty is only exacerbated by the widespread regression of human discourse via social media. "For many, many years in modern life we prided ourselves on greater morals and being smarter than we were in the Middle Ages," Forge explains. "But I think that online mannerisms are very close to open-square stonings many hundreds of years ago when people were fucking barbarians."
He points specifically to online bullying. "Twenty years ago, before the internet and before social media, if you were a kid who was bullied, at least you had the luxury of being able to shut the door and leave the bullies outside," he says. "It was something that took place in the confines of school or [ on ] the way home from school. If you were spoken of in negative terms, it might not reach you, whereas now you cannot hide. You're constantly in the spotlight, open to anyone's spite. And I don't think that that's necessarily a good power to hand over to man."
Ultimately, then, the rats are us. "Rats are a disease-spreading enemy in great numbers that come from all over, that surround you," Forge offers. "Rats come from the sewer. They can come up from your toilet. They can come up through your sink. They're in your walls, if you're unlucky."
He's sure it's all leading somewhere, but Forge doesn't claim to have a crystal ball. "We're at a point where something needs to shift, but I don't have the answer," he concludes. "I don't think the world will implode or disintegrate, but I think that it needs to shift somehow. And it will."
There's another aspect to Prequelle that might not be immediately apparent: the age-old story of the master and the apprentice, of the older generation passing the torch to the younger. "That's why we have a new guy," Forge explains. "The Cardinal is not the boss. He's just the toastmaster. A cardinal is junior to a pope figure. We still have Papa Emeritus [ Zero, a.k.a. Papa Nihil ] but he's passing on. He needs to teach the Cardinal to become a pope, to earn his skull paint."
Forge says it was always the plan for Ghost to have a succession of Papas. Each one has a built-in term limit — kinda like presidents. "And then there was gonna be a moment in time where you have to sort of chew through a little bit of an underdog person that you might not like," he says with a laugh. "So we end up with this character that I'm not even fond of myself. He's new and he is an imposter and he hasn't proven himself yet. But if he does, he will become Papa IV."
As for the previous Papas, Ghost revealed in an April video that they'd been slain to make way for Copia; their bodies have been on display for VIP ticket-holders on the band's trek in support of Prequelle . "They're gonna be put back in use now on tour," Forge says playfully, "but slightly less animated than before."
It's all part of his grand plan. "Obviously Ghost and everything that comes with it is based very much on a rock fan perspective," he says. "It's my way of trying to procreate with rock history. I've achieved so many things now that 10 or 15 years ago were inconceivable. And I'm not at all talking about monetary gain. I'm talking about just merging with the night, like with a dream of whatever it was that I encountered as a child. That's still the thing I'm trying to capture."
30 best albums of 2023
GHOST, SLIPKNOT, SPIRITBOX, more nominated...
Did PAPA EMERITUS IV play his final GHOST...
20 Greatest Comebacks in Heavy-Music History
25 Essential Thrash Albums
20 Essential Nu-Metal Albums
15 Essential Grunge Albums
Hail to the Kings: M. Shadows Interviews Hetfield and Ulrich
How Lamb of God Came Back After Randy Blythe's Arrest and Imprisonment
Florida Death Metal's Gory Rise, Groundbreaking Reign: The Definitive Oral History
Injuries, Pressure, Ciphers: Inside Alice in Chains' 'The Devil Put Dinosaurs Here'
Sign Up for Emails
- choosing a selection results in a full page refresh
- press the space key then arrow keys to make a selection
Ghost announce 2019 UK and European arena tour
Ghost will head out on the UK and European leg of their Ultimate Tour Named Death this winter
Ghost have announced the UK and European leg of The Ultimate Tour Named Death which will take place later this year.
They previously revealed a string of North American shows which run throughout September and October, with the new performances set for November and December.
Ghost will kick off the tour in the UK and Ireland over six nights from November 16 before travelling to mainland Europe for a further 12 shows, which will wrap up in Toulouse on December 19.
The band will be joined by special guests All Them Witches and Tribulation , with tickets going on sale this coming Friday (July 12).
Last month, Ghost leader Tobias Forge revealed that while work on the follow-up to 2018’s Prequelle was in its early stages, it likely won’t see the light of day until 2021 .
Ghost: The Ultimate Tour Named Death UK and European dates Nov 16: Nottingham Motorpoint Arena, UK Nov 17: Cardiff Motorpoint Arena, UK Nov 18: Glasgow SSE Hydro, UK Nov 20: Dublin 3Arena, Ireland Nov 22: London SSE Arena Wembley, UK Nov 23: Leeds First Direct Arena, UK Nov 30: Katowice Spodek, Poland Dec 01: Prague Universum, Czech Republic Dec 03: Budapest BSA, Hungary Dec 05: Mantova Palabam, Italy Dec 06: Zurich Halle 622, Switzerland Dec 08: Barcelona Palau Sant Jordi, Spain Dec 10: Lisbon Altice Arena, Portugal Dec 11: Madrid Palacio Vistalegre, Spain Dec 13: Eckbolsheim Zenith Of Strasbourg, France Dec 17: Esch-Sur-Alzette Rockhal, Luxembourg Dec 18: Saint-Herblain Zenith Nantes Metropole, France Dec 19: Touslouse Zenith Toulouse Metropole, France
Metal Hammer Newsletter
Sign up below to get the latest from Metal Hammer, plus exclusive special offers, direct to your inbox!
Scott has spent more than 30 years in newspapers, magazines and online as an editor, production editor, sub-editor, designer, writer and reviewer. Scott joined our news desk in the summer of 2014 before moving to the e-commerce team in 2020. Scott maintains Louder’s buyer’s guides, scouts out the best deals for music fans and reviews headphones, speakers, books and more. He's written more than 11,000 articles across Louder, Classic Rock, Metal Hammer and Prog and has previous written for publications including IGN, the Sunday Mirror, Daily Record and The Herald, covering everything from daily news and weekly features, to video games, travel and whisky. Scott's favourite bands are Fields Of The Nephilim, The Cure, New Model Army, All About Eve, The Mission, Cocteau Twins, Drab Majesty, Marillion and Rush.
Ex-Slipknot drummer Jay Weinberg walks for first time since November surgery
Every While She Sleeps album (and one EP) ranked from worst to best
Watch the full video of K.K.’s Priest, featuring ex-Judas Priest guitarist K.K. Downing, at Bloodstock 2023
By Fraser Lewry 31 December 2023
By Stef Lach 31 December 2023
By Stef Lach 30 December 2023
By Paul Brannigan 30 December 2023
By Paul Brannigan 29 December 2023
By Jerry Ewing 29 December 2023
By Stef Lach 29 December 2023
By Fraser Lewry 29 December 2023
By Matt Mills 28 December 2023
- PROG ROCK GUIDES
- PROG RADIOS
- PROG SUB-GENRES:
- Canterbury Scene
- Crossover Prog
- Eclectic Prog
- Experimental/Post Metal
- Indo-Prog/Raga Rock
- Jazz Rock/Fusion
- Post Rock/Math Rock
- Progressive Electronic
- Progressive Metal
- Psychedelic/Space Rock
- Rock Progressivo Italiano
- Symphonic Prog
- Tech/Extreme Prog Metal
- Various Genres/Artists
- Prog Related
- VA: SAMPLERS
- VA: CONCEPT ALBUMS
- VA: TRIBUTES
- Top Prog Albums (all-time)
- Top 2023 Albums
- Top 2022 Albums
- Gigs Reviews
- Active Topics
- Review , Video
- PROG SHOPPING:
Prog Folk • United Kingdom
From progarchives.com, the ultimate progressive rock music website.
- Tour & shows updates
- Press & news updates
- Forum discussions
- Videos (Youtube)
THE GHOST Videos (YouTube and more)
Buy the ghost music.
- DOUG LARSON IMPORTS — Buy prog rock music and rarities (Free shipping on orders over 10 CD's)
THE GHOST discography
The ghost top albums (cd, lp, mc, sacd, dvd-a, digital media download), the ghost live albums (cd, lp, mc, sacd, dvd-a, digital media download), the ghost videos (dvd, blu-ray, vhs etc), the ghost boxset & compilations (cd, lp, mc, sacd, dvd-a, digital media download), the ghost official singles, eps, fan club & promo (cd, ep/lp, mc, digital media download), the ghost reviews.
Review by Mellotron Storm Prog Reviewer
Review by Psychedelic Paul
Review by indianmaid70
Review by greenback Special Collaborator Honorary Collaborator
Review by ClemofNazareth Special Collaborator Prog Folk Researcher
Review by bristolstc
Review by mellotron
Other sites in the MAC network: JazzMusicArchives.com — jazz music reviews and archives | MetalMusicArchives.com — metal music reviews and archives
- Live streams
- Popular artists in SF Bay Area
- Trending artists worldwide
- Sign up Log in
- Get the app
- SF Bay Area concerts
- Change location
- Popular Artists
- Deutsch Português
- SF Bay Area
- Popular artists
- On tour: no
- Upcoming 2024 concerts: none
335,225 fans get concert alerts for this artist.
Join Songkick to track Ghost and get concert alerts when they play near you.
Find your next concert
Join 335,225 fans getting concert alerts for this artist
Similar artists with upcoming concerts
Tours most with, past concerts.
The Black Box
John Cain Arena
View all past concerts
Ghost are, regardless of whether you're particularly into corpse painted, Satanic-inspired heavy metal, one band that you should not miss live. Their concerts are not simply events to watch but experiential, jaw-dropping journeys to embark upon, and here's why: The Swedish sextet, clad in black hooded gowns and pointed beard-masks (yes, this is a thing) are led by their singer, known as Papa Emeritus, who dons full skull make-up and the robes and hat of a Roman Catholic pope (aside from the upside-down crosses adorning them). As well as their appearances, the band add to the intoxicating atmosphere of their shows with a backdrop of faux stained glass windows, and burn incense to give the audience the impression of being in a church, about to undergo something more than simply watching a group of men play musical instruments on a stage. They achieve this by including the audience in their twisted act, for example during the song Body and Blood, scantily-clad women appeared at the front of the stage offering the 'Eucharist' of a goblet of blood (aka wine) to the lucky fans in the front row.
I saw Ghost at the Fillmore Silver Spring, shorty after the release of their highly anticipated second album, Infestissumam, and was, frankly, blown away by the quality of their live show. Their appearances and Satan-worshipping act are contrasted by the liveliness of their music, which while categorized as heavy or black metal, is definitely more riff and vocal-driven than most metal, with songs such as the single Monstrance Clock and even an amped-up cover of the Beatles' Here Comes The Sun as part of their catchy, dancable set.
Even if you are the biggest metal-phobe around, you should go see Ghost. If heavy metal is your jam, but you're really not into the whole make-up/ crazy outfit thing, you should go see Ghost. If you're a fan or the music but are undecided on paying for a ticket, you should most definitely go see Ghost. The entire experience is something intoxicatingly unforgettable, and you will not regret it!
Report as inappropriate
The wife and I got into the game a bit late but Ghost is as much a part of our yearly plans as is eating, sleeping, and hydrating. We were fortunate to have caught their last two rituals in Sweden last year and were able to capture video of Papa III being pulled off stage during Monstrance Clock. We were so happy that we made the trip from the states because seeing the end of Papa III in videos is nothing compared to the excitement of seeing it in person, from the barrier, and right up front. This band is very exciting to watch and being able to share the experience with my wife has made our evenings with Ghost that much better. My wife met Papa III last year and we've had the opportunity to meet Cardinal Copia 3 times this year during the meet and greets in New York and Pittsburgh. We're looking forward to meeting him again 4 more times out of the 6 rituals we'll be attending in December. We also already have our tickets and vacation planned for the 2 upcoming rituals taking place in Sweden in February 2019. When they make their way back to the states in 2019, we will begin planning our schedules around their tour dates. Here's a short back story as to why they are so important to me. My wife and I were just a couple of months away from signing the official court documents stating we were divorced. While trying to keep things amicable we would meet to discuss things and we'd often listen to Ghost. By the time they would be coming Philadelphia that year, we would have been attending as two single individuals and no longer married. We'd have fun listening to them and as that common ground grew stronger, so did we and slowly began reconciling. By the time they did come to Philadelphia that year, we attended as a happily married couple and continue to do so today. Getting my wife back, I can honestly say, is all thanks to Ghost and I couldn't be more grateful to them or happier sharing the experience with anyone else except for Kelly.
The concert at Liseberg amusement Park was amazing. They opened doors at 11:00 am and there was already like 30 people waiting for the concert impatiently. Security guards and workers of the Amusement Park were very nice and help people when there was an incident outside the park.
The concert started at 8:00 pm without any problem, the crowd went crazy when they went on stage. The setlist was the following:
- Square Hammer
- From the Pinnacle to the Pit
- Con clavi con Dio
- Per aspera ad Inferi
- Body and Blood
- Devil Church
- Year Zero
- Deus in Absentia
- Monstrance Clock.
At the end of the last show was when 2 bodyguards came on stage and dragged Papa Emeritus III from stage and Papa Emeritus Zero came in, anouncing that the party was over and a new era was about to start.
I only got into Ghost recently and caught their show last night in Toronto.
I decided to get some cheap tickets because I liked the music and thought they'd be fun to see live.
They by far exceeded anything I was expecting. The creepy church vibe, use of incense(which I have never encountered before, very nice touch!), Papa engaging the audience at every opportunity and even took a few minutes just to chit chat and kept us roaring and laughing for more. The use of costumes and masks was amazing.
Being an introvert I don't really go out much, and when I do I just kind of sit there and enjoy the music and the show. This is the first band that's made me get up from my chair and actually get into the show. Next time they come to the area, I'm definitely saving up and treating myself to WAY better seating!
Oh my Ghost, this is the live ritual gig experience your soul is crying out for. Full disclaimer: I love Ghost to bits and have been preaching my dark passion for years. Seeing them live again - this time in a bigger arena off the back of a couple more hit albums - reaffirms the faith.
Go and see Ghost and you will get a diverse setlist drawn from the band's spectacular back catalogue. You will get theatrics and pyrotechnics. You will get both humour and deep emotion, dark anthems and sublime instrumentals and an uplifting sense that you a witnessing something novel and special.
Ghost are - musically, aesthetically, spiritually - something to cherish and the live experience is one that is fun, compelling, cathartic and oh-so-damn-rock-n-roll. Go worship and have the time of your (after)life.
I can see Ghost every night and never get bored. It's not just the band and music, Tobias has created characters, including his own, for this band that are incredibly humble and patient with their fans. While the material can be considered risque, you will see children younger than 10 years old attending that are not only having the time of their lives, but participating in the meet and greets with their parents. Everything about these shows from the music, to the costumes, the characters, and the theatrics is so very much entertaining. We know as fans that there is so much more to look forward to with the future of Ghost and we'll have the opportunity to enjoy them for many more years. It is very exciting when tomorrow becomes today and you're standing in front eagerly awaiting Ashes to start.
If you have Ghost, you have everything.
Theatre; spectacle; a sense of cult worship; dark humour; thick fugs of incense; electric, otherwordly energy; lighting and atmospherics; collective frenzy; and most of all, the sweet music of the night.
Ghost are beautiful for so many reasons. Beneath their sublime subversive style - iconoclastic and gleefully irreverent - is a musical powerhouse making the most compelling and catchy rock in this epoch. The craftsmanship is incredible. The mystique is immense. It's a joy to behold in the flesh (and blood) and if you have the opportunity to absorb the spirit of Ghost in person, surrender to it.
Honestly, Ghost was one of the greatest entertainment experiences I've had. Join them in their ritual and hail your Master...
This was the best show I have ever been to (I have seen a lot too). Ghost put on an electric performance with great theatrics as well as fun conversational bits while the musicians took a couple minutes to get water, wipe the sweat off from under those masks, etc. We were also delighted by the pyrotechnics, fog machines, and surprise mummy dust confetti! Well executed and the band sounded amazing live. I wish I had gotten tickets for the following night too! I will definitely be seeing them when they come back into town. Ghost really knows how to stimulate all their fans' senses. Many thanks to the band for their commitment to their fans and the melodic tunes they share with us. Keep them coming please!!!
The Ghost show was truly amazing. For me, this was mainly due to two things:
1. Each and every member of this band knows his instrument very well, and they play their songs flawlessly and with ease. Leaving them energy to interact with the crowd while still not missing a note/beat.
2. Their concept is so well thought through. From the incense and small unveiling ritual before their set starts to the sisters of sin and perfected visual in set, movements and costumes, everything works brilliantly. And with Papa giving some background info to songs and rituals, you really get the feeling you are part of a well-oiled ritual.
I am very glad I've been to the show, and can't wait to see this band again :)
Awesome band! I had a older friend come with last night to the Stockholm show and even thou she said "It's not exactly my favourite but it was a terrific show,tunes to sing along to and this isn't the last time we do this!" with a huge smile on her face. This was my second Ritual, i love the costume changes, you really feel like your seeing a theatrical show instead of a regular concert, I'm use to sitting up front but this time sat in the balcony to see a spectacular light show and pyrotechnics, we sat in the upper balcony and could feel the heat from the pyro effects.I only wish i could have been yp front closer to Cardinal Copia,to get his blessings. Will not be the last time i go to see Ghost!
Find out more about Ghost tour dates & tickets 2024-2025
Want to see Ghost in concert? Find information on all of Ghost’s upcoming concerts, tour dates and ticket information for 2024-2025.
Unfortunately there are no concert dates for Ghost scheduled in 2024.
Songkick is the first to know of new tour announcements and concert information, so if your favorite artists are not currently on tour, join Songkick to track Ghost and get concert alerts when they play near you, like 335225 other Ghost fans.
Last concert near you:
- Ghost (1046)
- John Mellencamp (1047)
Concerts played in 2024:
- Denver (25)
- Chicago (22)
- Philadelphia (20)
- Los Angeles (LA) (20)
- London (19)
Appears most with:
- Mastodon (54)
- Iron Maiden (54)
- Metallica (43)
- Volbeat (39)
- Dead Soul (35)
- Most popular charts
- Tourbox for artists
- API information
- Brand guidelines
- Community guidelines
- Cookies Settings
- Ad & cookies policy
Get your tour dates seen everywhere.
- But we really hope you love us.
Similar artists on tour, live photos of ghost.
Concerts and tour dates