The Point of No Return
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The Point of No Return is a song from The Phantom of the Opera between the musical's title character, the Phantom, and his love interest, Christine. The song is part of the Phantom's opera, Don Juan Triumphant , which he forces the opera to stage. The title character, Don Juan, is a womanizer whose errant ways condemn him to hell; today, best remembered from the play of the same name by Molière, an opera by Wolfgang Amadeus Mozart, and a poem by George Gordon, Lord Byron. Piangi is supposed to sing the title role, but the Phantom strangles him and takes his place. Christine takes the role of Don Juan's soon-to-be conquest.
The song focuses on the Phantom's seduction of Christine, but, at the end of the song, the Phantom sings a short reprise of "All I Ask Of You", asking that Christine be with him, instead of Raoul. She responds by removing the Phantom's mask, so that the entire audience can see his deformed face. Enraged, he flees the stage with Christine in tow.
Passarino, go away;
for the trap, it is set and waits for its prey.
You have come here
in pursuit of your deepest urge;
in pursuit of that wish, which, 'till now, has been silent;
I have brought you;
that our passions may fuse and merge!
In your mind, you've already succumbed to me;
dropped all defenses; completely succumbed to me.
Now, you are here with me.
No second thoughts.
Past the point of no return!
No backward glances!
Our games of make-believe are at an end.
Past all thought of "if" or "when"!
No use resisting!
Abandon thought and let the dream descend!
What raging fire shall flood the soul?
What rich desire unlocks its door?
What sweet seduction lies before us?
The final threshold!
What warm unspoken secrets will we learn
beyond the point of no return?
You have brought me
to that moment when words run dry;
to that moment when speech disappears into silence;
I have come here,
hardly knowing the reason why.
In my mind, I've already imagined our bodies entwining, defenseless and silent.
Now, I am here with you.
No going back now!
Our passion play has now, at last, begun.
Past all thought of right or wrong!
One final question:
How long should we, too, wait before we're one?
When will the blood begin to race?
The sleeping bud burst into bloom?
When will the flames, at last, consume us?
The bridge is crossed,
so stand and watch it burn!
We've passed the point of no return!
Phantom, in a soft, sad tone:
Say you'll share with me one love, one lifetime.
Lead me; save me from my solitude.
Say you'll want me with you here, beside you.
Anywhere you go, let me go, too!
Christine, that's all I ask of y-
Christine removes the Phantom's mask.
- 1 The Phantom
- 2 Raoul de Chagny
- 3 The Phantom of the Opera (2004)
The Meaning Behind The Song: The Point Of No Return by Michael Crawford
The Point Of No Return, a breathtaking song by the legendary singer Michael Crawford, holds a deep and profound meaning that resonates with listeners on multiple levels. This powerful ballad, originally featured in Andrew Lloyd Webber’s iconic musical, “The Phantom of the Opera,” captures the raw emotions of love, desire, and passion.
Table of Contents
At its core, The Point Of No Return delves into the forbidden love between the mesmerizing phantom character and his obsession, Christine. The song unravels the complex layers of desire and the irresistible pull of the unknown. It symbolizes a pivotal moment where Christine is lured into the dark recesses of the phantom’s twisted world, willingly crossing the point of no return.
The haunting melody paired with the euphoric lyrics paints a vivid picture of duality, showcasing the internal struggle between maintaining a sense of morality and succumbing to the allure of forbidden love. It showcases the intensity of the phantom’s obsession and underscores the sacrifices made in the pursuit of one’s desires.
Frequently Asked Questions about The Point Of No Return
1. what inspired michael crawford to sing the point of no return.
Michael Crawford was captivated by the complex emotions and lyrical beauty of The Point Of No Return. The song resonated with him on a deep level, and he felt a strong connection to the character of the phantom. His dedication to bringing the character to life shines through in his passionate rendition of the song.
2. How does The Point Of No Return fit into the larger narrative of “The Phantom of the Opera”?
In “The Phantom of the Opera,” The Point Of No Return serves as a crucial turning point in the storyline. It marks a moment where the audience witnesses the escalation of tension and the climax of the phantom’s obsession with Christine. The song showcases the depths of his manipulation and the emotional turmoil faced by Christine.
3. What emotions does The Point Of No Return evoke in listeners?
The haunting melody and evocative lyrics of The Point Of No Return create an emotional whirlwind for listeners. It evokes a sense of longing, desire, and the forbidden. The song immerses the audience in a world of heightened emotions, leaving them captivated and yearning for more.
4. Why is The Point Of No Return considered a classic in musical theatre?
The Point Of No Return is hailed as a classic in musical theatre due to its exceptional composition and the powerful performances it has inspired over the years. Its timeless themes of obsession, desire, and the complexities of human emotions resonate with audiences of all generations.
5. How does Michael Crawford’s rendition of The Point Of No Return differ from others?
Michael Crawford’s rendition of The Point Of No Return is unrivaled in its intensity and emotional depth. His distinctive vocal range and unparalleled ability to convey complex emotions make his performance a standout. Crawford’s rendition captures the essence of the phantom’s obsession and elevates the song to new heights.
6. Are there any hidden meanings in The Point Of No Return?
While The Point Of No Return primarily explores the themes of forbidden love and obsession, it also delves into larger existential concepts. The song encourages reflection on the transient nature of human desires and the consequences of surrendering to one’s deepest passions.
7. What impact did The Point Of No Return have on Michael Crawford’s career?
The Point Of No Return solidified Michael Crawford’s status as a musical theatre icon. His mesmerizing performance of this song garnered critical acclaim, further propelling his career to new heights. It showcased his immense talent and cemented his legacy in the world of musical theatre.
8. Can The Point Of No Return be interpreted in different ways?
Absolutely! The beauty of The Point Of No Return lies in its ability to evoke personal interpretations. While it portrays the dark and obsessive side of love, each listener may resonate with different aspects of the song, allowing for a multiplicity of meanings and connections.
9. What makes The Point Of No Return a standout song in “The Phantom of the Opera”?
The Point Of No Return stands out in “The Phantom of the Opera” for its powerful and haunting melodies, its poetic lyrics, and its pivotal role within the narrative. The song encapsulates the essence of the phantom’s character, providing a window into his complex psyche.
10. How has The Point Of No Return impacted audiences worldwide?
The Point Of No Return has left an indelible impact on audiences worldwide. Its universal themes of love, desire, and the pursuit of passion resonate with individuals from all walks of life. The song has the power to transport listeners to a realm of heightened emotions and serves as a reminder of the profound effects of love and obsession.
11. Has The Point Of No Return been covered by other artists?
Yes, The Point Of No Return has been covered by various artists over the years. However, Michael Crawford’s rendition remains the quintessential version, with his unique interpretation and mesmerizing vocals capturing the essence of the song in an unparalleled manner.
12. How does The Point Of No Return contribute to the overarching themes of “The Phantom of the Opera”?
The Point Of No Return serves as a vital piece of the intricate puzzle that is “The Phantom of the Opera.” It further explores the themes of obsession, longing, and the consequences of surrendering to forbidden love. The song adds depth and complexity to the narrative, highlighting the internal struggles faced by the main characters.
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A complete guide to all the songs in 'The Phantom of the Opera'
Learn more about the songs in The Phantom of the Opera , including "Masquerade," "All I Ask of You," "The Music of the Night", and "Think of Me."
It’s time to listen to the music of the night – otherwise known as Andrew Lloyd Webber’s soaring score for his all-conquering 1986 musical The Phantom of the Opera . Featuring lyrics by Charles Hart, and a libretto co-written by Lloyd Webber and Richard Stilgoe, it’s an epic adaptation of Gaston Leroux’s novel about a masked genius lurking in the sewers beneath the Paris Opera House in the late 19th century.
That lurker would be the Phantom: the musical mentor of young soprano Christine. She becomes the centre of a passionate love triangle, pursued both by the Phantom and by her childhood friend-turned-wealthy patron, Raoul. The show opened in the West End starring Sarah Brightman, Michael Crawford and Steve Barton, and went on to win Olivier and Tony Awards for Best Musical. Find out more about The Phantom of the Opera in London.
Phantom continues to enchant audiences: it’s the longest-running show in Broadway history, and the second-longest-running musical in the West End following Les Misérables . Part of its appeal is the sheer opulent scale, including that famous chandelier. But key to its success, too, is Lloyd Webber’s mighty operatic score. Follow us down into the Phantom’s lair (via His Majesty's Theatre ) as we guide you through the show’s indelible songs.
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“Hannibal Dress Rehearsal”
Phantom has a recurring show-within-a-show element. We open with the fictional cast rehearsing a new production, Hannibal, starring prima donna Carlotta. This scene also packs in some speedy exposition, introducing the audience to the opera house’s new owners, Firmin and Andre, and new patron, the Vicomte de Changy (also known as Raoul) — and also telling us that orphan Christine’s father was a famous violinist. It sets the template for a musical that will constantly whisk between onstage and backstage.
“Think of Me”
Carlotta storms off after a backdrop crashes down from the flies, and Christine takes over her role for that evening’s performance. “Think of Me” is her big aria, but its wistful lyrics also spur Raoul to recognise her as his childhood friend, and to wonder if she too remembers their shared past. It adds emotional heft to — and complicates — Christine’s triumph.
“Angel of Music”
Christine reveals to Meg (daughter of the ballet mistress Madame Giry) that she has a secret tutor, who she calls the Angel of Music. She believes it’s the spirit of her late father — a naïve idea encapsulated by this dreamy little number.
The Angel of Music becomes a point of reconnection for Christine and Raoul when he visits her in her dressing room and asks her out to dinner. Both remember the stories that her father used to tell them, and the song “Little Lotte” that he taught her to sing. He assumes it’s all a fantasy, whereas Christine thinks it’s actually real.
Enter the Phantom — and an angry, jealous Phantom. He’s furious that Raoul is sharing in his triumph, and lures Christine away. She meets his fury with a sweet reprise of “Angel of Music.” Finally, he reveals himself to her in her mirror and takes her away.
“The Phantom of the Opera”
The almighty title number! It’s a key duet between Christine and the Phantom as they explore their dynamic: the Phantom has embedded himself in her psyche, and he takes credit for her glorious voice, while she characterises herself as his mask. The music echoes this tussle: both beautiful and ominous, grand as the Opera House and eerie as the sewers.
“The Music of the Night”
After travelling by boat to his hidden lair, the Phantom reveals that he has selected Christine as his muse — and shows her an image in the mirror where she’s wearing a wedding dress. It’s all too much: Christine faints. That brings out the Phantom’s caring side, as he covers her with his cloak and croons this tender song. Listen to the lyrics and you’ll find a sinister juxtaposition between the seductive music and his intent, which is to seduce her with his genius and trap her in the dark with him.
“I Remember”/ “Stranger Than You Dreamt It”
Christine wakes to hear the monkey music box (the one that Raoul will see at the auction in the show’s prologue). As the Phantom sits at the organ, composing his next opus, Christine creeps up to him and removes his mask – revealing his disfigured face. The Phantom roars at her anger, then this tune softens as he admits he yearns to be loved.
“Notes”/ “Prima Donna”
Andre, Firmin and Raoul are all fretting about the mysterious disappearance of their sopranos. But the Phantom has written a series of notes, demanding Christine become the star of his new opera, not Carlotta. The owners appease a furious Carlotta, assuring her that she won’t be replaced. It’s a busy number with lots of cross-currents (and a fun piece of epistolary farce) – a nice contrast to the serious songs we’ve just heard in the sewers.
“Why Have You Brought Me Here?”
After the Phantom sabotaged the performance by reducing Carlotta’s voice to a croak, Christine drags Raoul to the rooftop and confesses all about the Phantom and his dangerous obsession with her. Raoul still thinks it was just a dream.
“All I Ask of You”
Now Raoul gets his big moment – and it’s the polar opposite to the Phantom’s “Music of the Night”. He says that daylight (not the darkness) will dry her tears, and that he will be her shelter and her light. Instead of wanting to control her, he simply asks to be a part of her life. That sentiment is matched by a sweet, gentle, sincere tune – and when Christine matches it, their romance takes flight.
“All I Ask of You (Reprise)”
Uhoh. The Phantom was spying on them and he now uses their love song with which to swear revenge. Watch out for Act Two...
“Masquerade”/ “Why So Silent?”
Phantom ’s second half opens six months later, and in grand style: with a masquerade ball. Masks are being used playfully (as exemplified by the jaunty patter sections with swift, teasing lyrics), and the general tone is jubilant: Christine and Raoul are engaged, and all is well. At least, until the Phantom gate-crashes the party. He has a new opera for them, but demands Christine star – and return to him.
“Notes”/ “Twisted Every Way”
Another knotty plotting number, but the tone is now sombre. Christine is scared that she’s become the Phantom’s prey, and Raoul entreats her to use the opera to trap the Phantom. Will she betray her mentor?
“Wishing You Were Somehow Here Again”
Her loyalties divided, Christine visits her father’s grave. After the frantic opening action, it’s a slow, shimmering number that shifts between warmth and aching melancholy. It’s also an important part of Christine reckoning with the past: in one way or another, she’s been haunted throughout the show, and (in the song’s big climax) now needs to find the strength to fight for her future.
The Phantom isn’t going away just yet. He appears to Christine in the cemetery, once again seducing her with the power of his voice and “Angel of Music” genius – until Raoul breaks the spell.
“Don Juan Triumphant”/ “The Point of No Return”
That’s the title of the Phantom’s new opera, which we now hear rehearsed by Christine, Carlotta and the chorus. The Phantom gate-crashes once again, taking on the part of Don Juan so he can sing lyrics with a double meaning to Christine: “In your mind you’ve already succumbed to me… no use resisting: abandon thought, and let the dream descend.” But are they really “past the point of no return”?
The Phantom then uses a reprise of “All I Ask of You” to propose to Christine. However, before he can finish, she unmasks him – and they discover the corpse of the actor he murdered. Game over.
“Down Once More”/ “Track Down This Murderer”
As an angry mob vows to hunt down the Phantom, he escapes to his lair with a captive Christine. Raoul follows, and the Phantom threatens to kill him unless Christine stays. Finally, Christine realises the truth: his haunted face holds no horror for her – it’s in his soul “that the true distortion lies”. She decides to show him pity and kindness, and kisses him.
That thaws the Phantom’s heart, and he releases the two of them; they depart with a final reprise of “All I Ask of You,” leaving the Phantom alone with his “Music of the Night.”
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Photo credit: The Phantom of the Opera (Photo courtesy of production)
Originally published on Mar 1, 2023 16:15
Point of No Return
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Gerard Butler and Emmy Rossum playing Erik and Christine in the 2004 film, Passed the Point of No Return
Past the Point of No Return is written by Andrew Lloyd Webber, the opening song in the opera Don Juan Triumphant, and is sung by Erik and Christine.
You have come here in pursuit of your deepest urge,
in pursuit of that wish,
which till now has been silent,
silent . . .
I have brought you,
that our passions may fuse and merge -
in your mind you've already
succumbed to me, dropped all defenses,
completely succumbed to me -
now you are here with me: no second thoughts,
decided . . .
Past the point of no return -
no backward glances:
our games of make believe are at an end . . .
Past all thought of "if" or "when" -
no use resisting: abandon thought,
and let the dream descend . . .
What raging fire shall flood the soul?
What rich desire unlocks its door?
What sweet seduction lies before us ?
Past the point of no return,
the final threshold -
what warm, unspoken secrets will we learn?
Beyond the point of no return . . .
You have brought me to that moment where words run dry,
to that moment where speech
disappears into silence,
silence . . .
I have come here, hardly knowing the reason why . . .
In my mind, I've already imagined our bodies entwining
defenceless and silent -
and now I am here with you: no second thoughts,
I've decided, decided . . .
no going back now:
our passion-play has now, at last, begun . . .
Past all thought of right or wrong -
one final question:
how long should we two wait, before
When will the blood begin to race
the sleeping bud burst into bloom?
When will the flames, at last, consume us?
Past the point of no return
the bridge is crossed, so stand and watch it burn because
We've passed the point of no return .
- 1 Christine Daae
- 2 The Phantom
- 3 Madame Giry
- Hero/Villain Numbers
- Andrew Lloyd Webber
The Point of No Return
- View history
" The Point of No Return " is a song from the stage musical The Phantom of the Opera , as well as its various other performances and 2004 film adaptation. It features the Phantom who, after killing actor Signor Piangi and usurping his role, sings with his love interest Christine Daaé on stage and attempts to propose to her until the crew finds Piangi's body backstage.
- 1 Performers
- 3 Other Appearances
- 4.1.1 Broadway
- 4.1.2 2004 Film
- 4.2.1 Official
- 4.2.2 Covers
Performers [ ]
Past the point of no return No backward glances The games we played till now are at an end Past all thought of "if" or "when" No use resisting Abandon thought and let the dream descend What raging fire shall flood the soul? What rich desire unlocks its door? What sweet seduction lies before us? Past the point of no return The final threshold What warm unspoken secrets will we learn? Beyond the point of no return You have brought me To that moment when words run dry To that moment when speech disappears Into silence Silence I have come here Hardly knowing the reason why In my mind I've already imagined Our bodies entwining Defenseless and silent Now I am here with you No second thoughts I've decided Decided Past the point of no return No going back now Our passion-play has now, at last, begun Past all thought of right or wrong One final question How long should we two wait, before we're one? When will the blood begin to race? The sleeping bud burst into bloom? When will the flames, at last, consume us? Past the point of no return The final threshold The bridge is crossed So stand and watch it burn We've passed the point of no return Say you'll share with me One love, one lifetime Lead me, save me from my solitude Say you want me with you here beside you Anywhere you go, let me go too Christine, that's all I ask of- [What is it? What has happened? Ubaldo!] [Oh my God... My God!] [We're ruined, André, ruined!] [ Monsieur le Vicomte! Come with me!] [Oh, my darling, my darling... Who has done this?] [You! Why did you let this happen?] [ Monsieur le Vicomte, I know where they are!] [But can I trust you?] [You must. But remember: your hand at the level of your eyes!] [But why?] [Why? The Punjab Lasso, monsieur . First Buquet, now Piangi] [Like this, monsieur . I'll come with you.] [No, Meg! No, you stay here! Come with me, monsieur. Hurry, or we shall be too late!]
Other Appearances [ ]
- The Broadway version of the song was featured on the albums The Phantom of the Opera (Remastered 2000) , Michael Crawford Performs Andrew Lloyd Webber , and The Best of Broadway: The American Musical .
- The film version was featured on the 2004 soundtrack The Phantom of the Opera . The soundtrack version altered some of the speaking at the end.
Gallery [ ]
Broadway [ ].
2004 Film [ ]
Official [ ]
- 1 One, Two, Freddy's Coming For You
- 2 It's Been So Long
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Written by: Andrew Lloyd-Webber, Charles Hart, Richard Stilgoe
Lyrics © Universal Music Publishing Group
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- #6 The Phantom of the Opera
- #7 The Music of the Night
- #13 All I Ask of You
- #14 All I Ask of You [Reprise]
- #16 Masquerade/Why So Silent?
- #18 Wishing You Were Somehow Here Again
- #19 Wandering Child/Bravo Bravo
- #20 The Point of No Return
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The Phantom of the Opera - The Point of No Return Lyrics
Artist: The Phantom of the Opera
Past the point of no return, no backward glances The games we've played, till now are at an end Past all thought of if or when, no use resisting Abandon thought and let the dream descend What raging fire shall flood the soul? What rich desire unlocks its door? What sweet seduction lies before us? Past the point of no return, the final threshold What warm unspoken secrets will we learn? Beyond the point of no return You have brought me Through that moment where words run dry Through that moment where speech disappears Into silence, silence I have come here, hardly knowing the reason why In my mind I've already imagined Our bodies entwining defenseless and silent And now I am here with you No second thoughts, I've decided, decided Past the point of no return, no going back now Our passion play has now at last begun Past all thought of right or wrong, one final question How long should we two wait, before we're one ? When will the blood begin to race The sleeping bud burst into bloom? When will the flames at last consume us? Past the point of no return, the final threshold The bridge is crossed, so stand and watch it burn We've passed the point of no return Say you'll share with me one love, one lifetime Lead me, save me from my solitude Say you want me with you here beside you Anywhere you go let me go too Christine, that's all I ask of What is it? What has happened? Ubaldo! Oh my God! My God! We're ruined Andre, ruined! Monsieur le Vicomte! Come with me! Oh my darling, my darling! Who has done this to you? You! Why did you let this happen? Monsieur le Vicomte I know where they are But can I trust you? You must, but remember Your hand at the level of your eyes! But why, why? The Punjab lasso, Monsieur First Buquet, now Piangi Like this, Monsieur I'll come with you No, Meg! No, you stay here! Come with me, Monsieur Hurry, or we shall be too late!
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Phantom Of The Opera – Point Of No Return lyrics
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Point Of No Return meanings
- U + 10 Unregistered 2015-11-30 18:42:14 He did write it with all those intentions but she knows it's him before she rips off his mask to expose him. In the play she suddenly gets up in realization it's the phantom in the middle of the song. In the movie you can tell she knows it's him by her facial expressions and the look on Raoul's face shows he knows and others know too. It feels like she still has some feeling for the phantom despite all that he has done. Past the point of no return is like saying, we are past returning from what I (the phantom) has done but there is still hope. We still have this connection and there is no denying it. Christine came to the phantom and learned music with him but she didn't know why and now she does. It's past the point of innocence. Past the point of not knowing. They now have an undeniable connection may it be good or bad or in-between. In the end when she exposes him it's like breaking the barrier. She breaks the illusion and shows herself his true face and she knows his true identity. Past the point of not knowing him. Past the point of no return. There is no returning to the old ways. Once she revealed him it was like signifying the song. It we beautifully done and the song has so much meaning beyond her just acting her part. Add your reply
- U + 10 Unregistered 2015-10-01 04:03:50 When reading the lyrics of this song, you have to remember that this is one of the songs The Phantom (or Erik, whichever you prefer) wrote for his opera, Don Juan Triumphant (in this scene, The Phantom is playing Don Juan and Christine is playing Aminta). He wrote the music, he wrote it's lyrics. He wrote it knowing by the time it's sung on stage the person supposed to playing Don Juan (Piangi) will be dead by now and this will be his (The Phantom's) chance to sing with Christine, his obsession. So some of it, like "Point of no return..." sounds like The Phantom saying she has reached a point of no return with him, and that she should just obey and be in full subjection to him. And the romantic parts Christine sings, all written by him, so he can hear her sing about "loving him", when she most likely isn't, she's just being a singer and singing the song she was given with no second thoughta about it, not realizing the whole thing is his doing until the end of the song, when she decides to expose him by ripping off his hood and ripping off the mask. (I made this explanation after hearing the song/reading the lyrics several times, and watching the 25th anniversary edition several times. I have not watched the movie). 1 reply
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More Phantom Of The Opera lyrics
- All I Ask Of You
- All I Ask Of You (reprise)
- Angel Of Music
- The Music Of The Night
- The Phantom Of The Opera
- No One Would Listen
- I Remember/Stranger Than You Dreamt It
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