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Director Vetrimaaran clears the air about his film with Vijay

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Ajith Kumar pays last respects, Kamal Haasan mourns director Vetri Duraisamy’s death

Ajith kumar and shalini were spotted paying their last respects to vetri duraisamy in chennai while kamal haasan penned an emotional note on x..

Former Chennai City Mayor Saidai Duraisamy’s son, Tamil director, Vetri Duraisamy’s body was recovered from Sutlej river on February 12. Actors Ajith Kumar and Kamal Haasan mourned his passing, with the former visiting his family and the latter penning an emotional note on X. (Also Read: NTR to Rajinikanth: Not only Vijay, these popular South stars took political plunge. Full list )

Ajith and Kamal mourn his passing

Ajith and his wife Shalini visited Vetri’s family on Tuesday. Ajith and Vetri took several bike trips across India and the actor even attended the director’s wedding several years ago. A video shared by a fan on X shows the actor looking bereaved as he walks out of the home.

Kamal offered condolences to Vetri’s family on X. He wrote in Tamil, “The news of the death of Vetri Duraisamy, the son of former Chennai Mayor and friend, Saidai Duraisamy, is deeply saddening. It is an unimaginable grief that a young man who was just starting out met his end in such an accident. My heartfelt condolences to the father who has lost his son. I hope he recovers from this soon.”

Vetri’s death

Vetri met with an accident on February 4. He was travelling from Shimla to Spiti with friends when the incident occurred. His car fell into the river in Kinnaur district in Himachal Pradesh. Indo-Tibetan Border Police (ITBP), National Disaster Response Force (NDRF), State Disaster Response Fund (SDRF) Uttakahand, district police officials and multiple teams were sent out for search operations, according to India Today .

Vetri’s body was recovered on Monday and was brought back to Chennai on Tuesday after conducting a post-mortem. The body was recovered 3 km from the accident site by a team of divers. The car driver, Tenzin, was found dead, while co-passenger, Gopinath, was rescued and is currently undergoing treatment, according to the portal.

Details of Vetri’s final rites are yet to be announced. He had directed a film, titled Endravathu Oru Naal, in 2021.

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• Ajith Kumar
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Viduthalai: Part 1

A police officer is recruited to capture the leader of a separatist group. A police officer is recruited to capture the leader of a separatist group. A police officer is recruited to capture the leader of a separatist group.

• Vetrimaaran
• Vijay Sethupathi
• Bhavani Sre
• 73 User reviews
• 11 Critic reviews

• Constable Kumaresan

• Perumal 'Vaathiyaar'

• Tamilarasi alias Paapa
• Head Constable Chandran
• V. Ragavendar

• Ila. Ilavarasu
• Tamilarasi's Paternal Grandmother

• Sunil Menon

• A. Subramaniyan
• (as Rajeev Menon)
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• Sub-Inspector Velmurugan
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• Trivia It's inspired from a poem of Lyrist Na.Muthukumar.
• Goofs The film is set in the late 1980s. However, when Kumaresan is introduced by Head Constable Chandran to a tea-selling undercover militant, the SBI bank's new board design---introduced after 2017, is shown. Also, near the bank, an Activa (introduced in India in the 2000s) is parked.
• Connections Features Maithili Ennai Kathali (1986)

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• Mar 31, 2023
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• March 31, 2023 (United States)
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• Viduthalai Part 1
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சைலன்டாக நடந்து முடிந்த குட் நைட் பட இயக்குனர் விநாயக் சந்திரசேகரன் திருமணம் - வைரலாகும் வெட்டிங் கிளிக்ஸ்

Good Night Movie Director Vinayak chandrasekaran Marriage : குட் நைட் படம் மூலம் இயக்குனராக அறிமுகமாகி வெற்றிகண்ட இயக்குனர் விநாயக் சந்திரசேகரனின் திருமண புகைப்படங்கள் வைரலாகி வருகின்றன.

good night Movie

தமிழ் சினிமாவுக்கு 2023-ம் ஆண்டு மறக்க முடியாத ஆண்டாக அமைந்தது. அதற்கு முக்கிய காரணம், டாடா முதல் போர் தொழில் வரை ஏராளமான சின்ன படங்கள் மாஸ் ஹிட் அடித்தன. அந்த வரிசையில் கடந்த ஆண்டு வெளியாகி அதிரி புதிரியான வெற்றியை ருசித்த படங்களில் குட் நைட் படமும் ஒன்று. இப்படத்தில் மணிகண்டன் ஹீரோவாக நடித்திருந்தார். அவருக்கு ஜோடியாக மீதா ரகுநாத் நடித்திருந்த இப்படத்தை விநாயக் சந்திரசேகரன் இயக்கி இருந்தார்.

Good Night Movie Director vinayak wedding

குறட்டையால் ஒரு மனிதனின் வாழ்வில் என்னென்ன சிக்கல்கள் ஏற்படுகின்றன என்பதை யதார்த்தமான திரைக்கதையுடன் மிகவும் அழகாக காட்சிப்படுத்தி இருந்தது இந்த குட் நைட் திரைப்படம். இப்படத்தின் வெற்றிக்கு கூடுதல் பலம் சேர்த்தது ஷான் ரோல்டனின் இசை மற்றும் பாடல்கள் தான். இப்படிப்பட்ட ஒரு மாஸ்டர் பீஸ் படத்தை கொடுத்த விநாயக் சந்திரசேகரனுக்கு இதுதான் முதல் படமாகும். இப்படத்திற்கு பல்வேறு விருதுகளும் கிடைத்துள்ளன.

இதையும் படியுங்கள்...  Actress Rithika : நானும் தாயாகிறேன்.. நல்ல செய்தி சொன்ன ரித்திகா.. முதல் முறையாக வெளியான கர்ப்பகால பிக்ஸ்!

Vinayak chandrasekaran weds Priya

குட் நைட் படத்தின் வெற்றியை தொடர்ந்து நடிகர் சிவகார்த்திகேயனுக்கு கதை சொல்லி இருக்கிறார் விநாயக் சந்திரசேகரன். சிவாவுக்கும் அந்த கதை பிடித்துப் போனதால் அவரும் நடிக்க ஓகே சொல்லிவிட்டதாக கூறப்படுகிறது. விரைவில் இந்த கூட்டணியில் ஒரு படம் தயாராகும் என எதிர்பார்க்கப்படுகிறது. இப்படி சினிமாவில் நல்ல நல்ல விஷயங்கள் விநாயக்கிற்கு நடப்பது போல், ரியல் லைஃபிலும் அவருக்கு ஒரு நல்ல விஷயம் நடந்துள்ளது. அது தான் திருமணம்.

Good Night Movie Team at Vinayak chandrasekaran Marriage

விநாயக் சந்திரசேகரனுக்கு நேற்று சைலண்டாக திருமணம் நடந்து முடிந்துள்ளது. அவர் பிரியா என்பவரை கரம்பிடித்து இருக்கிறார். இவர்களது திருமணத்தில் குட் நைட் பட ஹீரோ மணிகண்டன் மற்றும் நடிகர் ரமேஷ் திலக் ஆகியோர் கலந்துகொண்டு வாழ்த்தி உள்ளனர். மேலும் விநாயக் சந்திரசேகரனின் திருமண புகைப்படங்களும் வெளியாகி இணையத்தில் படு வைரலாகி வருகிறது. இதைப்பார்த்த ரசிகர்கள் அவருக்கு வாழ்த்து மழை பொழிந்து வருகின்றனர்.

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Vetrimaaran and Dhanush never fail to deliver quality films. Here’s why

Filmmaker-actor duo vetrimaaran and dhanush have complimented each other’s growth in the industry over the course of 12 years. let’s trace their journey and try to see why their combination never fails to work..

To nobody’s surprise, filmmaker Vetrimaaran’s latest movie with Dhanush, Asuran opened to thunderous response from both critics and audiences alike. The film also entered the 100-crore club at the box office within 10 days of its release (October 4), becoming the first Dhanush film to achieve this feat.

Over the last decade, Vetrimaaran has cemented his reputation in the film industry as one of the most interesting filmmakers Kollywood has to offer. The director is only five films old and all of them have managed to attain the cult status in their own light.

This certainly is not an easy thing to achieve. But the success of early Vetrimaaran films could be attributed to Dhanush . Both National Award winners, it is no secret that the duo share a very close working relationship. Apart from Visaranai (which was produced by Dhanush’s banner, Wunderbar films), the actor was the lead in all the other Vetrimaaran films, namely Polladhavan, Aadu Kaalam, Vada Chennai and Asuran.

The filmmaker and actor have complimented each other’s growth in the industry over the course of 12 years. Let’s trace their journey and try to see why their combination never fails to work.

Vetrimaaran first met Dhanush on the sets of the late director Balu Mahendran’s Adhu Oru Kana Kaalam in 2005 where Vetrimaaran worked as an assistant. Two years later, Vetrimaaran wrote Polladhavan for Dhanush. The actor immediately agreed and the film became a huge hit.

Following the success of Polladhavan, Vetrimaaran waited another four years before his next release, Aadukalam in 2011. There was no doubt in anybody’s mind that this film was going to win accolades. Dhanush was phenomenal in a role which required him to play an underling to a cockfighting legend in Madurai. Aadukalam went on to win six awards at the 58th National Film Awards, including Best Director and Best Actor for Vetrimaaran and Dhanush, respectively.

Keeping Visaranai aside for the moment, Vada Chennai and even, Asuran, are commercial movies. They stand out as “quality films” despite its massy approach. In Vada Chennai, we are taken straight to the seedy, underbelly of the slums of north Chennai. Asuran, on the other hand, is about the struggle and loss of a poor family against the exploitative rich. Both the films are violent, but there is no glorification. They are blunt, forthright and all elements of the film, be it the background music, cinematography or editing, work in harmony to push the story forward. Vetrimaaran’s genius shines in moments like this.

Visaranai was released in 2015 without making any noise and lacked any sort of commercial aspect. Once you watch the film, you understand why. Visaranai is a difficult watch. It chronicles the journey of three immigrants who are falsely accused of a robbery and then tortured by the police. They are stuck in an unforgiving space and every punch from the cops resounds in the theatre. The film’s appeal lies in its brute reality. When Vetrimaaran went to Dhanush with this script, he told the actor that the film will only run for three days. Dhanush backed the project anyway and the film went on to become India’s official entry to the Oscars that year. This is the amount of confidence the actor and director have on each other and this camaraderie reflects on screen, with every film.

Even though Dhanush was evolving and growing as an actor while working on different kinds of movies, Vetrimaaran’s successes set him up as a formidable director. But he is not someone who likes to capitalise on his fame immediately. On many occasions, the filmmaker has gone on record to talk about how he likes making films at his own pace, hence the gaps between each film, except for Asuran, which he had to make on a deadline. Vetrimaaran has said that it was a taxing, emotional experience for him and he doesn’t intend to do it again.

The director has been vocal about wanting to make films that highlight the lives of the marginalised and the forgotten classes of society. In fact, the name of his banner, Grass Roots Productions, is an extension of that ideology. The fact that he handles the story and the characters with great care is evident in all his films. There are no“heroes” in Vetrimaaran movies, only characters.

Vetrimaaran’s approach to cinema is different because it is unapologetic. In Asuran, there is a scene where a school girl is being humiliated and beaten for wearing slippers. It is an uncompromising and honest scene, sure to make you uncomfortable but that’s exactly how Vetrimaaran wants you to feel. The execution of such scenes are a Testament to his writing skills. After all, he calls himself a writer, and not a director.

After 12 years and five quality films, there seems to be two things you can expect from a Vetrimaaran film – excellent writing and equally excellent performances to boot. Very few director/actor tandem in Kollywood works as well as Vetrimaaran and Dhanush. It’s very reminiscent of the combination of Martin Scorsese and Robert DeNiro. One can only hope the duo continues to enrich us with brilliant cinema for years to come.

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